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	<title>Live Notation</title>
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	<link>http://blog.livenotation.org</link>
	<description>Transforming matters of performance</description>
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		<title>Project cycle</title>
		<link>http://blog.livenotation.org/project-cycle/</link>
		<comments>http://blog.livenotation.org/project-cycle/#comments</comments>
		<pubDate>Tue, 09 Oct 2012 10:11:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blog.livenotation.org/?p=98</guid>
		<description><![CDATA[The Live Notation project has reached the end of its first cycle, and we are now in the process of bringing together and archiving documentation from the project.  Over the coming weeks we will publish photos, video, the C4CC panel transcript, and thoughts from participants. As a taster, here are some photographs from the Live [...]]]></description>
				<content:encoded><![CDATA[<p>The Live Notation project has reached the end of its first cycle, and we are now in the process of bringing together and archiving documentation from the project.  Over the coming weeks we will publish photos, video, the C4CC panel transcript, and thoughts from participants.</p>
<p>As a taster, here are some photographs from the Live Notation Unit performances at the Arnolfini. Click to see an album from each performance.</p>
<p><strong>Thor Magnusson &#8211; DroneMachine</strong><br />
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<p><strong>Brigid McLeer and Kate Sicchio</strong><br />
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<p><strong>Sam Aaron</strong><br />
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<p><strong>Wrongheaded</strong><br />
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<p><strong>Hester Reeve and Slub &#8211; Hair of the Horse</strong><br />
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		<title>Live Notation Unit at the Bristol Arnolfini, 27th July 2012</title>
		<link>http://blog.livenotation.org/live-notation-unit-at-the-bristol-arnolfini-27th-july-2012/</link>
		<comments>http://blog.livenotation.org/live-notation-unit-at-the-bristol-arnolfini-27th-july-2012/#comments</comments>
		<pubDate>Wed, 11 Jul 2012 10:23:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://livenotation.lurk.org/?p=87</guid>
		<description><![CDATA[LIVE NOTATION UNIT Live artists and live coders, working towards live notation http://livenotation.org/ 27th July 2012 2pm-9:30pm Arnolfini, Bristol BS1 4QA Symposium and performances The Live Notation Unit (LNU) takes over the Arnolfini for a day using its spaces as an experimental laboratory in which to combine two radical performance practices: Live Art and Live Coding. The [...]]]></description>
				<content:encoded><![CDATA[<p>LIVE NOTATION UNIT<br />
Live artists and live coders, working towards live notation<br />
<a href="http://livenotation.org/">http://livenotation.org/</a></p>
<p>27th July 2012<br />
2pm-9:30pm<br />
<a href="http://www.arnolfini.org.uk/">Arnolfini</a>, Bristol BS1 4QA</p>
<p>Symposium and performances</p>
<p>The Live Notation Unit (LNU) takes over the Arnolfini for a day using its spaces as an experimental laboratory in which to combine two radical performance practices: Live Art and Live Coding.</p>
<p>The LNU will approach programming as performance art, performance art notation as code, code as speech, bodies as interpreters, and more.</p>
<p>On the menu are improvisational sound works (where computer code and the artists&#8217; bodies become instruments), site-specific time based art works (where notation becomes the &#8216;piece&#8217; as opposed to its recording device) and a series of position papers proposing what the LNU&#8217;s new term &#8220;live notation&#8221; might signify.</p>
<p>Bringing together Sam Aaron, Geoff Cox, Yuen Fong Ling, Dave Griffiths, Alex McLean, Brigid Mcleer, Thor Magnusson, Click Nilson, Hester Reeve, Kate Sicchio, Andre Stitt, Maria X, and Matthew Yee-King.</p>
<p>For more information and a preliminary programme, please the Live Notation Unit website:<br />
<a href="http://livenotation.org">http://livenotation.org/</a></p>
<p>Live Notation is supported by the Arts and Humanities Research Council.</p>
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		<title>Thursday Club Event at C4CC, Kings Cross, London</title>
		<link>http://blog.livenotation.org/event-at-c4cc-kings-cross-london/</link>
		<comments>http://blog.livenotation.org/event-at-c4cc-kings-cross-london/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 21:39:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://livenotation.lurk.org/?p=38</guid>
		<description><![CDATA[Thursday April 19th 10am-1pm at The Centre for Creative Collaboration 16 Acton Street, London, Greater London (WC1X 9NG) Registration (free) &#8220;Live Notation – Extending Matters of Performance&#8221; is an event exploring the possibilities of relating live coding (performing with programming languages) with live art (performing with actions).  In particular, we confront the possibilities opened up for digital aesthetics, computer music and [...]]]></description>
				<content:encoded><![CDATA[<p>Thursday April 19th 10am-1pm<br />
at <a href="http://www.creativecollaboration.org.uk/" target="_blank">The Centre for Creative Collaboration</a><br />
16 Acton Street, London, Greater London (WC1X 9NG)<br />
<a href="https://docs.google.com/spreadsheet/viewform?formkey=dGt0WDgySmoyLVF2SWYwVzgwc3RhTFE6MQ">Registration</a> (free)</p>
<p>&#8220;Live Notation – Extending Matters of Performance&#8221; is an event exploring the possibilities of relating <a href="http://en.wikipedia.org/wiki/Live_coding" target="_blank">live coding</a> (performing with programming languages) with <a href="http://en.wikipedia.org/wiki/Live_art_(art_form)" target="_blank">live art</a> (performing with actions).  In particular, we confront the possibilities opened up for digital aesthetics, computer music and live art in relation to performed physical labour and its potential temporal resonance through signs and symbols.</p>
<p>The event will be led by <a href="http://www.anti-thesis.net/" target="_blank">Geoff Cox</a> (<a href="http://www.digitalurbanliving.dk/">Digital Urban Living Research Centre,</a> Aarhus University &amp; Associate Curator of Online Projects at the <a href="http://www.arnolfini.org.uk/">Arnolfini</a>), joined by a panel of  live coders and live artists including <a href="http://www3.shu.ac.uk/c3ri/SinglePerson.cfm?Person_ID=978&amp;ResCentre=ADRC" target="_blank">Hester Reeve</a> (Live Artist; <a href="http://www.hesterreeve.com/" target="_blank">HRH.the</a>) and <a href="http://yaxu.org/" target="_blank">Alex McLean</a> (Live Coder; <a href="http://slub.org/" target="_blank">Slub</a>).</p>
<div>
<p>This is a <a href="http://doc.gold.ac.uk/thethursdayclub" target="_blank">Goldsmiths Thursday Club</a> event, but please note the venue is in Kings Cross, not New Cross!</p>
<p>All are welcome, but <a href="https://docs.google.com/spreadsheet/viewform?formkey=dGt0WDgySmoyLVF2SWYwVzgwc3RhTFE6MQ">please register</a>.</p>
<p><span id="more-38"></span></p>
<p>‘Live Notation: Extending Matters of Performance’ is an investigation drawing upon the two fields of live art and live coding. The project is an AHRC funded collaboration between Hester Reeve at C3RI, Sheffield Hallam University and Alex McLean in the Department of Computer Science, the University of Sheffield.</p>
<p>Rather than a technological collaboration, &#8220;Live Notation&#8221; is a philosophical engagement, which aims to support and investigate the confluences between live coding and live art, as well as allow challenges to infiltrate between the practitioners.  For example, live coders may want to consider their own body presence and that of the code they produce as integral aspects of their performance’s value/meaning and live artists may want to consider potential ways of foregrounding the tracking of their actions within a performance and acoustic space making.</p>
<div>
<p>This event is a <a href="http://doc.gold.ac.uk/thethursdayclub" target="_blank">Goldsmiths Thursday Club</a> event, and is linked with the <a href="http://www.sc2012.org.uk/">SuperCollider Symposium 2012</a>.</p>
<p>&nbsp;</p>
</div>
</div>
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		<title>Welcome</title>
		<link>http://blog.livenotation.org/welcome/</link>
		<comments>http://blog.livenotation.org/welcome/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 14:24:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://livenotation.lurk.org/?p=23</guid>
		<description><![CDATA[Welcome to the website for &#8220;Live Notation: Transforming Matters of Performance.&#8221; Our project has just begun and we are still planning our initial events.  For now you may find out more about the project, or visit the LoveBytes festival website to read about our performance there.]]></description>
				<content:encoded><![CDATA[<p>Welcome to the website for &#8220;Live Notation: Transforming Matters of Performance.&#8221;</p>
<p>Our project has just begun and we are still planning our initial events.  For now you may <a href="http://livenotation.lurk.org/about-live-notation/">find out more about the project</a>, or visit the <a href="http://2012.lovebytes.org.uk/">LoveBytes festival</a> website to read about <a href="http://2012.lovebytes.org.uk/event.php?ref=2&amp;title=Live%20Notation">our performance</a> there.</p>
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